Chambre separee - определение. Что такое Chambre separee
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Что (кто) такое Chambre separee - определение

1978 FILM BY FRANÇOIS TRUFFAUT
La Chambre verte; La chambre verte

Jean de la Chambre         
SCHOOLMASTER, ENGRAVER AND CALLIGRAPHER ACTIVE IN HAARLEM AND BEVERWIJK
Portrait of Jean de la Chambre
Jean de la Chambre (1605, Haarlem – 1668, Haarlem), was a Dutch Golden Age engraver and calligrapher best known today for his portrait by Frans Hals, which is in the collection of the National Gallery in London.
Orchestre de chambre de Neuchâtel         
ORCHESTRA FROM NEUCHÂTEL, SWITZERLAND
L'Orchestre de chambre de Neuchâtel; Orchestre de chambre de Neuchatel
The Orchestre de chambre de Neuchâtel (OCN) or Neuchâtel Chamber Orchestra is a Swiss professional orchestra.Neuchâtel Chamber OrchestraL'Orchestre de chambre annule un concert, faute d'argent 12 January 2008
Chambré Brabazon Ponsonby-Barker         
IRISH POLITICIAN
Chambre Ponsonby-Barker; Chambre Brabazon Ponsonby-Barker; Chambré Ponsonby-Barker
Chambré Brabazon Ponsonby-Barker (12 June 1762 – 13 December 1834) was an Irish Member of Parliament.

Википедия

The Green Room (film)

The Green Room (French: La Chambre verte) is a 1978 French historical drama film directed by François Truffaut, based on the 1895 short story "The Altar of the Dead" by Henry James, in which a man becomes obsessed with the dead people in his life and builds a memorial to them. It is also based on two other works by James: the 1903 novella The Beast in the Jungle and the 1896 short story "The Way It Came". It was Truffaut's seventeenth feature film as a director and the third and last of his own films in which he acted in a leading role. It stars Truffaut, Nathalie Baye, Jean Dasté and Patrick Maléon.

Truffaut spent several years working on the film's script and felt a special connection to the theme of honouring and remembering the dead. In the film, he included portraits of people from his own life at the main character's "Altar of the Dead". The Green Room was one of Truffaut's most praised films, and also one of his least successful financially.